As individual behavior extends to national identity I am constantly
curious at how we perceive ourselves and project ourselves as opposed to how others perceive us.
In order to deal with our carnival society with its models, pop icons and
political idols designed to trick us, my first defense is to become invisible by blending into the surroundings. Then to observe and record.
In a world of accepted ideas my job is to strip them of their acceptability and, in a style influenced by the drawings of children, mad persons, brutes and outsiders, I practice the playful juggling of serious issues.
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